Martha recalled the contents of their portfolios: We brought in our artifacts. Each was different, but our choices made sense for each of us.Anna, you brought in a unit on an integrated math and language arts project that you had done with your elementary students. You had worked on integrated units all year.Peg, you brought in the author's chair' you had created to go with a writing project you began with your kindergarteners and 1st graders.I, too, wanted to show the art work my high school students had done when they were reading The Scarlet Letter. I had them embroider the letter. I think artistic experience ought to be part of students' experience of reading literature. I included some samples along with student essays.
This gathering should have been a time to savor an achievement. But when asked what stood out for them in creating a teaching portfolio, the fledgling teachers seemed anything but satisfied. Martha, for example, recalled her initial reaction: We were asked to bring in one artifact that represented our growth as teachers. What could that be? And where did the standards fit in? Was the portfolio supposed to be a demonstration that we had met them? A tool for assessment? Or a record of our development?
Added Anna: What should the portfolio include? Someone suggested that we start with a statement of our philosophy. But I didn't have a teaching philosophy. At least I didn't think so.
She did, however, think the teams and mentors helped: I liked the fact that we three interns worked together and had the help of school faculty, administrators, and previous interns. It was important—and consoling—to hear how we all were struggling.
Raising State Standards
Figure 1. Extended Teacher Education Program Outcomes
Excerpts from the University of Southern Maine's Teacher Performance Assessment Standards.
Demonstrates respect and concern for children, and an understanding of how they continue to develop and learn.
Understands the subject matter and makes accessible to students the discipline's tools of inquiry, central concepts, and connections to other domains of knowledge.
Consistently plans and evaluates instruction based on knowledge of the learner, the subject, the curriculum, the intended outcomes, and the community.
Understands and uses a variety of teaching strategies, including appropriate technology.
Enhances and documents learning through formal and informal assessment strategies.
Models respect for individual differences among students and coworkers.
Communicates his or her beliefs about learning, teaching, assessment, and the role of education in society.
Understands principles of democratic community and plans instruction to promote good citizenship.
Demonstrates responsibility to school and community.
Recognizes that he or she is, above all, a learner.
Understands and implements classroom management techniques that support individual responsibility and the principles of democratic community.
A School-University Partnership
Working Out the Issues
Carol Lynn Davis and Ellen H. Honan, site coordinators at Yarmouth Public Schools, describe the changing role of portfolios in their district: Portfolio presentations are shifting from celebratory end-of-the-year events to occasions where critical information can be offered, discussed, and considered as decisions are made about program completion. We are coming closer to the balance we seek.
At first, project faculty questioned whether performance assessments could serve both assessment and professional development, but they have resolved this issue. They see standards and performance assessments as part of an interconnected process, not as isolated elements. The shifting role of Yarmouth's portfolio team exemplifies this dual purpose: Portfolio teams—composed of interns, former interns, teachers, administrators, and university faculty—serve as coaches for portfolio development. The first year we thought of teams as compassionate listeners. Now we think of teams as critical friends. This year, as interns began presenting portfolio entries to their team, it became clear that critical response was in the best interest of the intern.
Portland's faculty team, Rita Kissen and Deborah E. Keyes, wrestle with an emerging issue, one that is particularly pertinent to their district because Portland Public Schools is a federal relocation site for Asian immigrants: As a cohort of primarily white interns and mentor teachers, the Portland site faces a critical question: How do we teach' an understanding of diversity and ensure that our interns are able to translate this understanding into their classroom practice? Our experience has shown that while we may attempt to address these questions in an academic course, our interns' most authentic and powerful learning originates in and evolves from their own experiences as teachers working with their students.For example, the curriculum units the interns designed included a life science unit connecting biodiversity to human differences, a social studies unit exploring 8th grade students' stereotypes about Native Americans, and several literature units in which interns infused the study of the canon with works by minority authors.
Authoring One's Learning
Project coordinators for the Gorham School Department—Walter Kimball, Susie Hanley, and Patti La Rosa—describe how this transformation came about in their district: It occurred to us that program faculty were taking responsibility for telling an intern what his or her accomplishments had been. The form was grades and ratings. We now believe that we had the process backwards: It should be the intern who, with support, presents and justifies his or her learning to us. This insight led to the creation of a new process: now the intern gathers and presents for review a body of evidence for the purposes of certification as well as professional development.
In recalling her internship year, Martha illustrated how fruitful this theory can be in practice: After we presented a second portfolio entry, the whole project began to make sense. I didn't relax, but I could see where it was going. The whole year of learning to teach had seemed like a booming, buzzing in my head. Now I had to make sense out of it—consider a teaching philosophy. I began to think about times when my students had really responded to me, to what I was presenting to them, to learning. I decided that is what I would put into my portfolio.
Added Anna: I started looking at my students' portfolios. I was thrilled to find in them lessons and samples of the things we had worked on together. I decided that I would put samples of their portfolios into mine. And suddenly I could see that the portfolio was like a mirror. It was reflecting my teaching back to me. It was exhilarating, yet daunting: I never felt so revealed.